This Groundhog Day–inspired romance is a funny and relatable watch, says Katie Green...
Daniel Kaluuya is electrifying in this gripping, incendiary Black Lives Matter drama, writes Roshan Chandy...
Minari has received countless nominations and tonnes of awards, but does it win the coveted approval of LeftLion Screen Co-Editor George White? Very much so...
The much-anticipated monster mashup is a mostly enjoyable blockbuster that fails to tell a compelling story, says Jamie Morris...
It's been 15 years since this iconic film, but does it still deserve hold up? Screen Co-Editor George White thinks so...
Is the original Toy Story really still worth the hype? Chris King takes us back to where it all began…
The Michael Jordan–starring Looney Tunes adventure Space Jam turns 25 this year—Katie Green takes a look back at this crazy 1996 live-action (and animated) sports comedy...
The director’s cut of DC Comics’ superhero team-up is four hours of wacky, over-the-top fun, writes Screen section co-editor Jamie Morris...
Netflix’s new Turkish-language drama, Paper Lives, is a melodramatic slog…
Does Get Carter get a good review fifty years on? More or less...
Why is Netflix’s latest release about witches lacking in magic?
Prince Akeem's long-awaited return is a messy and soulless nostalgia trip...
What are art exhibitions like during a pandemic? Whilst we wait for normality to reappear and galleries to open their doors again, creatives turn to unknown territory - exhibiting their works digitally and trying to redefine what it means to experience art...
This period drama, released in 1996 in the UK, is in many ways a standard nineties rom-com; but does this adaptation of Jane Austen’s classic novel actually have too much sense, and not enough scandal?
Wong Kar Wai’s In the Mood for Love arrives on BFI Player as part of a retrospective of his work, with his films now available in 4K as part of a restoration process supervised by the director himself.
Tom Hanks’ latest outing is an intriguing yet slow-moving journey, says Joanna Hoyes...
The new Swedish-language survival thriller, Red Dot, starts out as a tense ride but ends up feeling about as empty as its barren scenery…
The Emperor’s New Groove is a funny, charismatic film, with enjoyable characters that showed a new generation what slapstick comedy is capable of…
In the third and final instalment of the Netflix original trilogy, this time we see Lara Jean and Peter set off for college, with LJ having to make some tough decisions not only in terms of her own future, but her relationship with Peter…
Possessor, the latest film by Brandon Cronenberg, son of horror icon David Cronenberg, is an intoxicating descent into high-concept body horror not for the faint of heart…
Malcolm & Marie sees Euphoria's Sam Levinson and Zendaya team up once again. But should they have? Our Screen Co-Editor thinks not...
With Heat, Michael Mann reached a height of cool realism that he has perhaps never bettered since its release 25 years ago, writes Thomas Griffiths...
Naomi Watts shines in this lovely movie about a friendship between a paralysed woman and a magpie.
A newly unearthed treasure! Hollie Anderson reviews Netflix’s latest star-studded release, all about the famous Sutton Hoo excavation of 1939.
Disney’s 50th animated feature is an enduring modern classic…