Southwell’s own William Ivory, BAFTA-nominated screenwriter of Made in Dagenham and Burton and Taylor, discusses the films that...
This Groundhog Day–inspired romance is a funny and relatable watch, says Katie Green...
Daniel Kaluuya is electrifying in this gripping, incendiary Black Lives Matter drama, writes Roshan Chandy...
Minari has received countless nominations and tonnes of awards, but does it win the coveted approval of LeftLion Screen Co-Editor George White? Very much so...
Films have the power to shape our identities and the way we see the world, as well as transporting us back to simpler times. We asked our screen section writers to each share three movies that left an impact on them at three different stages over the course of their lives...
The much-anticipated monster mashup is a mostly enjoyable blockbuster that fails to tell a compelling story, says Jamie Morris...
It's been 15 years since this iconic film, but does it still deserve hold up? Screen Co-Editor George White thinks so...
Is the original Toy Story really still worth the hype? Chris King takes us back to where it all began…
The Michael Jordan–starring Looney Tunes adventure Space Jam turns 25 this year—Katie Green takes a look back at this crazy 1996 live-action (and animated) sports comedy...
The director’s cut of DC Comics’ superhero team-up is four hours of wacky, over-the-top fun, writes Screen section co-editor Jamie Morris...
Netflix’s new Turkish-language drama, Paper Lives, is a melodramatic slog…
Does Get Carter get a good review fifty years on? More or less...
Alex Stubbs checked out Patricia Francis’ The Art of Oppression as it premiered at New Art Exchange
Why is Netflix’s latest release about witches lacking in magic?
Prince Akeem's long-awaited return is a messy and soulless nostalgia trip...
Beeston Film Festival is set to return for its seventh year.
Jay Martin won awards for his political documentary REDt'Blue, which focused on Mansfield voters' decision to vote Conservative in the 2019 General Election. Now the Notts filmmaker talks to LeftLion about his upcoming trio of BBC shorts which will focus on the impact of Coronavirus on health workers, the creative industry and more...
This period drama, released in 1996 in the UK, is in many ways a standard nineties rom-com; but does this adaptation of Jane Austen’s classic novel actually have too much sense, and not enough scandal?
A pair of Notts creatives have launched a crowdfunding campaign to fund an animated sitcom.
Wong Kar Wai’s In the Mood for Love arrives on BFI Player as part of a retrospective of his work, with his films now available in 4K as part of a restoration process supervised by the director himself.
Tom Hanks’ latest outing is an intriguing yet slow-moving journey, says Joanna Hoyes...
The new Swedish-language survival thriller, Red Dot, starts out as a tense ride but ends up feeling about as empty as its barren scenery…
The Emperor’s New Groove is a funny, charismatic film, with enjoyable characters that showed a new generation what slapstick comedy is capable of…
In the third and final instalment of the Netflix original trilogy, this time we see Lara Jean and Peter set off for college, with LJ having to make some tough decisions not only in terms of her own future, but her relationship with Peter…
Students will get the chance to learn from a number of media legends during this exciting virtual event...