Part of Shots in the Dark Film Festival 2019
Joseph H Lewis's noir classic turns pulp into pure gold. This is a small but perfectly formed black-and-white masterpiece of flash and trash, unwholesome obsession and criminal daring. The masters of the Nouvelle Vague adored it, not least for the bold and brilliant camerawork: there's a tremendous continuous take of a bank job, filmed from one camera position in the back seat of the getaway car.
This screening will be introduced.