Nancy Campbell is the Bard on the Barge

Interview: Aly Stoneman
Illustrations: Emmy Smith
Monday 21 May 2018
reading time: min, words

One of Nancy Campbell’s first commissions as Britain’s new Canal Laureate is a poem celebrating Nottingham and Beeston Canal…

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Congratulations on being appointed Britain's new Canal Laureate!
Thanks! My previous residencies have been mostly in icy Arctic environments, so it’s good to turn my attention closer to home: the 2,000 miles of waterways in the UK. It’s an honour to be appointed by The Poetry Society and the Canal & River Trust.

Your new poem, Elements, was first performed as part of Enchanted Water, a Light Night event showcasing the Nottingham and Beeston Canal...
I’d been thinking about canals as a locus of change – the world has changed loads over their 200 years of existence – and I was invited by CRT East Midlands to consider the canal’s past and present life. Chinese New Year celebrations suggested a structure for Elements based around the Wu Xing or Five Elements – fire, water, wood, earth, metal – and how they manifest in the canal’s story.

For Enchanted Water, Castle Wharf was illuminated by contemporary artworks, archive films and puppet performances as part of the Nottingham Narrowboat Project. I loved travelling along the canal with people who’d come to hear the poetry.

What are your plans for the year ahead?
I’m working on a poem about rain, which’ll be sprayed onto surfaces around the canal network using hydroponic paint, and in July I’m planning a cross-country kayak journey from Liverpool to Goole.

Any book recommendations?
I’d highly recommend Elizabeth-Jane Burnett’s brilliant collection Swims. I’m currently reading Maggie Nelson’s Something Bright, Then Holes which poet Kaddy Benyon recommended; it includes a sequence, The Canal Diaries, observations of Brooklyn’s Gowanus Canal.

To discover more about the Nottingham and Beeston Canal, visit the Canalside Heritage Centre at Beeston Lock, or visit their website.  

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Elements
Nancy Campbell

Travellers on this Wooden vessel, let me tell you a story of Fire and Water and finding Funds (by which I mean, finding Gold) and how these elements meet between two steep banks of Earth.

Money is both paper and metal // Paper the parliamentary act on which long ago my making was passed / and paper for the loans of investors / and yet more paper for their debts // And metal the chain slung across my waves by the toll keeper at Lenton / and the coins that changed hands there before barges could breach me / to ship iron ore along me, drawn by strong horses // And the jigs and cranes and pulleys clanking on city wharves so boaters’ backs would not be broken // and the salvage raised by kids who trawl with magnets for treasure, those who need treasure / and pennies thrown into the cut for luck by those who don’t // And metal the rails laid down with rivets and the wheels of the trains upon them / marking a new line across the land / and so turns my story...

For once I outshone the roads / the dust roads with their potholes, the drove roads, the pack roads / before rail overtook me // And land was the start of me / was here long before me / the earth sliced and shovelled and wheeled off in barrows / men’s energy spent on a long empty hollow // The Trent – my old rival – snakes away southwards // A river makes its own way, whereas I was surveyed / my purpose debated / planned / I was wanted // From Meadow Lane to Beeston Lock / I keep my course between these banks / you won’t find an oxbow eroding over ages here, rather a right angle that stays true / I’m on the map now, a landless landmark // And earth was my cargo too / I brought flint to the potteries / carried ceramics back / and rarely a vessel cracked // The clay from local pits made bricks that built my bridges // The city grew up / and held me in its red-brick hug...

And there was always fire, even so close to water / I was only a spark in Jessop’s eye, when the blasts in the pits were echoed by distant fusillades / and barely begun, when England declared war with France // I was designed for one world, but finished in a new one // Coal came by butty from Strelley and Billborough to fuel the factories / while fire fomented in workers’ hearts // And fire spreads fast // One day at Wilford Street wharf a laughing boatman passed a hot clinker from his own furnace to a boat loaded with gunpowder, thinking just to share a spark / the explosion made waves / sank boats / shook the streets to the market place / as if a dragon stirred in the caves // Warehouses crumbled / and were built again // and now it is Firefox and Flash Player that gleam behind the office windows...

And so to wood, and all that floats on water / I’ve learned to love the lighter hulls of fibreglass / to let pontoons and playboats float upon me / though my first boats were built from timber at Trevethick’s yard / strips of oak and iroko soaked and curved // the forests that once hid outlaws, now setting them free // trees understand my speed // I flow past yards stacked with willow planks for cricket bats // I slip through the wooden gates of Castle Lock / that govern like the hands of clocks / your time, my water level / and emerge where saplings shade the towpath and blackberries grow wild / and anglers cast invisible lines for fish / and dogs run after half-imagined sticks...

You can see my whole reach from the sky / as a plane descends or as a raindrop falls / the old maps told it so // my course shaped like a farmer’s crook / guiding old sheep to the market, new sheep from the lab // Or if you prefer, liken my line to a giant curving kirby grip from Boots / I still like to keep things in place // A sure shortcut, not a shallow distraction // A day turns and you note morning and evening / a year turns and you mark its beginning and ending / and all the time I travel / like a slackline walker I keep moving / without movement / is no progress // Sometimes sprightly / sometimes silty / sometimes sluggish / I flow on / from cock-crow to swan-song.

This poem was written for the Nottingham & Beeston Canal on Nottingham Light Night 2018. Many thanks to The Poetry Society and the Canal & River Trust for print permissions. To check out more poetry inspired by our Waterways, check out the Waterlines website.

The Poetry Society website

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