Charlie and George Alexander look back on David Lynch's tragic true story of the "Elephant Man"...
Director: David Lynch
Starring: Anthony Hopkins, John Hurt, Anne Bancroft
Running time: 124 minutes
John Hurt’s Oscar-nominated performance is something of absolute artistic brilliance
Whilst not one of Lynch’s more experimental projects, it would be a crass over-simplification to ignore the stylistic features that were so cleverly incorporated. Most notably, the choice to shoot in monochrome supplements the power and effect of the story; not only offering such an ominous sense of dread during the opening sequence but also immersing the audience into the Victorian setting throughout. Lynch teases us with the introduction of Merrick, as we expect to be accompanying Treves at the great reveal, however, the director only provides a glimpse of the character and we are forced to watch Treves’ reaction instead. Lynch turns us into the baying mob from the freak show, desperately wanting to get a sight of the grotesquely deformed character. A clever decision that forces the audience to realise that we as humans have an innate sense of schadenfreude; secretly enjoying the sight of Merrick’s clear misfortune.
John Hurt’s Oscar-nominated performance is something of absolute artistic brilliance. Utterly unforgettable, the actor finds such a unique voice and physical presence that it is impossible not to feel overtaken by a collective empathy and anxiety over his fate; a mistreated and misunderstood man in search of an identity. A special note must also be made for the make-up artists, who created such an unmistakable character that the Academy was forced to create the ‘Oscar for Make-up’ a year later. The design and performance of Merrick is further heightened by Lynch’s brilliance. A clear example is when observing Merrick’s perspective, the director shoots upwards; whether it be train station ceilings or towards St Paul’s cathedral, we look to the sky through Merrick’s eye, representing the character’s unwavering optimism but more upsettingly, to avoid the horrors that lie at ground level.
Through intricate characterisation and a narrative so thick with perspective and significance, Lynch cements his status for masterful storytelling. The director is dexterous with his ability to craft such an emotionally involving narrative. Wholly uncomfortable in parts, enduring Merrick’s unprovoked abuse is a draining task, however, Lynch manages to relieve this through evoking such intense ecstasy in times of triumph. The story is a sentimental journey, utterly consuming through the heightened theatrical nature in which Lynch explores. Hailed as storytelling at its most sincere; it’s ability to arouse such a monumental amount of fulfilment and connection is why The Elephant Man will remain at the top echelon of cinema.
Did you know? Actor Bradley Cooper recalled watching the film with his father as a child as cites it as his inspiration to become an actor. Cooper played the character on Broadway in a stage adaptation in 2013.